![]() ![]() The film would make a star of the then-unknown actor Michelle Rodriguez. In January 2000, first-time director Karyn Kusama arrived at the Sundance Film Festival with her debut feature Girlfight, a story o f a troubled Latina teenager from a run-down part of Brooklyn who finds love and purpose when she starts training at a local dingy gym. That was the last time Æon Flux would grace our screens in an animated form. Æon Flux broke free of Liquid Television toward s the end of 1995, when it had its own series of ten half hour episodes. Season two followed with a further five short films lasting around six minutes each, the perfect size again for the anthology show. The original 14 -minute pilot, too long for a single L iquid Television episode, was broken down into s horter pieces, allowing it to be serialised. Ĭreated by Peter Chung, the series was set in an unspecified future and revolved around a lithe, raven haired, female spy who always fails in her missions – resulting in all manner of horrible deaths. A lot of these shorts comprised of multiple episodes and a new one would feature every week, including Æon Flux. Each 30 -minute episode would feature original short films of various techniques including traditional animation, stop motion, puppetry and live action. Yet with most of the film focusing on Theron doing her best to be an action superhero, there is just a little too much flux and not enough solid material.Try three issues of Film Stories magazine – for just £1: right here!įrom 1991 to 1995, MTV aired an anthology series entitled Liquid Television. ![]() ![]() Questing the idea of immortality versus the inevitability of death, Aeon Flux does present some points to ponder. Bloodied wounds are seen at various times, and Aeon shows off her surgical skills when she uses her fingers to dig bullets out of another person. However, violent content is the biggest concern with dozens of people being shot, attacked in hand-to-hand combat, and killed with falling debris. She finds time for a couple of sexual encounters as well, which portray some back nudity. Nonetheless, teens will likely be wowed by Theron’s tough sexy image, which is given ample screen time as she snakes her body through various security barriers and other obstacles. Although it offers a couple of nice surprise turns, it also suffers from some major holes that make it difficult to buy into the premise. Hanging the entire production on her shoulders, it’s no wonder her performance sometimes comes up a little short. With barely a lick of humor during its 90-minute running time, the flexible female struts her stuff with the same expression on her face in every frame. Oozing with girl-power, this movie (based on a series of animated shorts that originated fifteen years ago on MTV) appears to be a stretch for Theron… and her costumes. Now motivated to kill, she is given a very important job: Assassinate Trevor Goodchild. But her methods become more radical after heavy-handed forces take her sister’s life. Says Aeon, “We have traded our freedoms in exchange for a gilded cage.” Hoping to find a way to change the oppressive controls, she is a top operative in an underground resistance group known as the Monicans. Referred to as the “Goodchild Regime,” the government is seen as responsible for the mysterious disappearances of many people, along with other-not clearly explained-strange happenings. But like most sci-fi films, things aren’t always as wonderful as they appear. ![]() Here they have lived their lives for the last seven generations in what appears to be idyllic circumstances. Called Bregna, the sibling scientists built a protective perimeter wall and populated the fortress with the few remaining humans. Aeon Flux (Charlize Theron) is a tough rebel-fighting woman who can handle multiple attackers, while at the same time maintaining a low profile existence in what is supposedly the last city on Earth.Īfter a viral plague wiped out most of the world’s population in 2011, Trevor and Oren Goodchild (Marton Csokas and Jonny Lee Miller) designed the community. And only one woman-who has a penchant for skin-tight outfits and supreme yoga positions-is able to put things right. Four hundred years in the future, the existence of the human species is hanging by a thread. ![]()
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